If it's done right. And the New Yorker has always done it right. You can also see glimpses here of why David Remnick was the right person to be handed the baton. Five editors in 82 years: that's a weighty ball to drop (I would argue, in the minority, that Tina Brown didn't drop it at all, but rather reinflated it and kept it in play), and Remnick looks to have what it takes. Which, exactly, I have no idea what that is. But Remnick himself writes, he digs for stories, so he understands, and relates well with, a guy like Hersh. Anyway, watch the video.
"Music will keep happening and you might like some of it or even a lot of it but it will no longer be yours" - Luc Sante
Friday, October 19, 2007
I still the internet
Even though I can't be in New York , I can, thanks to modern technology, sit back comfortably to watch this public fireside chat between New Yorker editor David Remnick and prized investigative reporter Seymour Hersh. It is a fascinating evening's entertainment, not only for the typically incisive and frightening things Hersh has to say about the present administration, but also for giving a rare insight into the relationship between writer and editor, a relationship which sits somewhere between that of employer and employee on the one hand, and husband and wife on the other.
If it's done right. And the New Yorker has always done it right. You can also see glimpses here of why David Remnick was the right person to be handed the baton. Five editors in 82 years: that's a weighty ball to drop (I would argue, in the minority, that Tina Brown didn't drop it at all, but rather reinflated it and kept it in play), and Remnick looks to have what it takes. Which, exactly, I have no idea what that is. But Remnick himself writes, he digs for stories, so he understands, and relates well with, a guy like Hersh. Anyway, watch the video.
If it's done right. And the New Yorker has always done it right. You can also see glimpses here of why David Remnick was the right person to be handed the baton. Five editors in 82 years: that's a weighty ball to drop (I would argue, in the minority, that Tina Brown didn't drop it at all, but rather reinflated it and kept it in play), and Remnick looks to have what it takes. Which, exactly, I have no idea what that is. But Remnick himself writes, he digs for stories, so he understands, and relates well with, a guy like Hersh. Anyway, watch the video.